I've been interested in Insight for some time now, and actually did a bit of research on it many years ago, in the hopes I could write something about it. Unfortunately, that research and time have slipped away from me. But recently, I noticed that episodes began appearing on YouTube, in what looks like legal channels.
*Just a note: I realize there is an amazing amount of content online, available through many different means, but I only want to promote product I think is being streamed by the proper rights holders. It might stem from working at the Directors Guild for so many years that I've been trained to do this, but I think it's important we support the people who may be in charge of getting these things out into a physical format, properly cleaned up and with extras, if possible. I certainly don't discourage anyone from watching what they can where they can (your passion for classic TV and telefilms is why I'm here), but I will only promote the legal streams.
That said, OMG, guys! Insight is online and looking great. The YouTube page looks to be run by Paulist Productions and it just appeared recently and is constantly uploading new episodes! So, I've decided to pick an episode, probably on a bimonthly basis, and do a short capsule review with an image or two. Hopefully I can dig up enough trivia as a way to provide a little production history to this fascinating and long running series.
I'll be adding every review to this post, and my picks will be random, but I'll list them in alphabetical order. Hopefully I can put together a decent catalog, with access to every episode Paulist Productions uploads. Call me a classic TV freak, but honestly it's exciting.
So, as I said, my previous research kind of went by the wayside, so let me tell you what little I remember about the show. Insight was created by a priest named Ellwood E. "Bud" Kieser. It's my understanding that he was interested in non-denominational preaching, and this series ran the gamut of episodes that felt either like The Twilight Zone or an ABC Afterschool Special. They could be really surreal, or sometimes they were based in the very real. It could be faith-based, but often it was driven by social issues. And the class of actors was astounding. I think Martin Sheen is in a huge amount of episodes, but you'll also see Bob Newhart, Jack Klugman James Farentino, Bill Bixby, Patty Duke and Cicely Tyson, among many others.
I'll be researching the series as I go along, and I hope I can dig up some interesting nuggets for everyone. This is a work in progress, and I'm unsure of the exact layout (i.e. will trivia go with an episode or get its own section, etc.), but I think it will be fun.
You can always check back here, but you can also find updates at the following:
*One final note: It probably means nothing, but just to clarify, I'm not particularly religious, although I love faith based television. (Confession: I was a die hard Touched by an Angel fan!) I think these kinds of shows are really fascinating, especially when they are more driven by social issues. This is all to say, I won't do any proselytizing here. I only want to look back at the historical and cultural impact of the series. Whatever your belief system, I hope you come along for the ride!
So let's get started!
Checkmate (OAD: November 13th, 1979, episode #421, reviewed May 12th, 2019): Checkmate is a quirky entry into Insight. It's about a guy named Andy (Bruce Davison) looking for the perfect mate (as it were). And, with an emphasis on the word "perfect." So, it might not be a surprise that he turns to a fembot named Gally (Rebecca Balding) in his search for true love. But soon Andy realizes how one-sided love can be when your definition of "perfection" is to have a partner who only lives for you.
|Original newspaper listing, a little spicy!|
Checkmate has a cast so amazing I wouldn't have even cared if there was a story! Davison is one of the greats, always interesting and captivating. Efrem Zimbalist Jr. is cut from a similar cloth, and is a treat. But most importantly, Rebecca Balding is a queen. I have been in love with / terrified of her since I first saw her on Soap. Even as a female cyborg that is supposed to be the perfect woman (by way of a very 1950s ideology of that definition), she's strong and captivating. Sweet, but never empty, Gally is more than just a physically beautiful robot, there is beauty within her. It's easy to understand why Andy falls for her. Her human form is also sweet, but different from her robot form, flawed and challenging but real. And it's simply a lovely performance. This entry into Insight is just delightful!
Little Miseries (OAD: November 15th, 1981, episode #440, reviewed July 7, 2019): I probably don't have to tell you why I chose this episode. Well, I'll give you four words: John Ritter and Audra Lindley! Yes, Jack Tripper and Mrs. Roper joined forces once again to add a little, ummm, insight into the human condition. The story is simple: Ritter is Frankie, a sweet confirmed bachelor who is surrounded by some seriously negative vibes that come in the guise of Aunt Carmela (Lindley) and Uncle Christopher (Edward Andrews). Carmela introduces Frankie to the lovely and seemingly happy Donna (Stephanie Faracy, who played Ritter's ex-wife in the 1990s TVM Thriller No Way Out), and the chemistry seems to be just right, only Donna is dying of leukemia and doesn't have much longer to live.
|The casting of John Ritter made the news! (although this was for a 1982 rerun)|
I've always be fascinated with the many different ways you can give such dark moments of our lives a lighter touch, and Little Miseries, which was written by Ben Elisco (whose only other writing credit was for WKRP in Cincinnati), manages to tackle a really tough issue with a sense of hope and even sweetness. Frankie's relatives live in a "gloom" (as Frankie puts it), but they think that's helping him prepare for the more difficult moments in life. And that perhaps disappointment will fuel change or at least action. The dialog is a mixture of morbid humor along with some rather poignant thoughts about what the darkness is and that those who live there do so because it's easier to hide. But the introduction of Donna into Frankie's life allows him to finally see a light.
This is a lovely, but strange episode. There's a twist at the end that makes Carmela seem rather cruel. But, at the same time the discovery and confrontation of her lie allows her to open up and finally reveal why she's trying to harden Frankie. It throws the episode off a bit, but Ritter and Lindley are so good, you just want to sit back and watch. So, not perfect, but pretty darn good and worth seeing just for Ritter, who can never disappoint.
The Prisoner (OAD: May 6th, 1965, episode #140, reviewed May 26, 2019): I chose this episode because of the still image used on the upload, which features Jack Klugman wearing an eye patch and holding a puppy (see image posted above in the intro for a sample)! I guess I couldn't have predicted how moving and harrowing The Prisoner was going to be.
Klugman plays a man named Weiss, and he's spending a rainy day at the pet shop, buying a puppy. The pet store owner is named Ben (no name given in the IMDb credits), and he has come to loathe rainy days because they remind him of his time in Auschwitz. After getting into a argument with Weiss, Ben finds out that Weiss was also a prisoner at the same camp, and had associated with a man named Maximilian Kolbe (Werner Klemper playing a prisoner about 4 months before he would become Col. Klink on Hogan's Heroes!), a Polish friar who opposes the Nazis at every turn. Kolbe is constantly beaten for his rebelling and his cell mates seem to either love him or hate him for it. He plots an escape for a fellow prisoner, but when it is revealed that someone has fled Auschwitz, the Nazis decide that one of the men left behind should starve to death as punishment.
This is an intense episode, and based on real events. Kolbe was a real man who offered his life in order to save another. The Prisoner dances fairly elegantly around the question of why a God, who is supposed to be all loving and all knowing, would let something like the Nazi uprising happen under his watch. There are no answers, only a chance to feel hope in the darkest of situations, and to maybe understand that there is still good in the world. Kolbe's ultimate sacrifice at the end allows Weiss to open his mind and heart and to also not let this experience dictate his ability to believe in a God.
|An original newspaper listing for the episode|
In lesser hands, this could have been really heavy handed, but the filmmakers don't offer obvious answers. And, the acting is wonderful. Klugman, of course, flourished in these kinds of one-off roles he seemed to often do on TV. Klemper is a bit of a revelation too. I didn't recognize him at first, and I'm not sure I'd really seen him in a drama before. He's deft and subtle, and his scenes with Klugman are just terrific.
I want to just pull a quote from The Prisoner that I was really taken by, and which expresses why I feel Insight is such an amazing show. At the end of the episode Weiss says to Ben, "No one can alter the truth. All we can do is seek it, find it and try to live it." Great storytelling, and a really wonderful entry into the Insight series.
When, Jenny? When? (OAD: February 1st, 1979, episode #806, reviewed April 21st, 2019): This may be one of the most famous episodes of Insight. I can see why. It's Afterschool Special all the way, and it features Maureen McCormick as a beautiful teenager whose low self-esteem has given her a notorious rep at school. This episode features Jeff East, Clark Brandon and Olive Cole, and was directed by Ted Post (Five Desperate Women, The Baby, and lots of other great movies). In terms of episodic television, Post's name is probably more aligned with The Twilight Zone, but he directed several episodes of Insight. Like he did with the 1972 telefilm Sandcastles, Post directs When, Jenny? When? with a lot of sensitivity and tenderness. Aside from tackling self-esteem, this episode also explores peer pressure, self-identity, and my favorite topic, the loneliness of difference.
|Original newspaper listing|