Thursday, April 26, 2012

Mary and Rhoda (2000)

Network: ABC
Air Date: February 7th, 2000
 
I’m just going to put it out there for everyone… I liked the Mary and Rhoda reunion movie. Did I love it? No, but I did enjoy it quite a bit. I’m sure some of it comes from the fact that Mary and Rhoda are simply creatures of comfort. For as long as I can remember I’ve loved Rhoda. I actually didn’t get into the Mary Tyler Moore Show until later, but I remember being a big fan of Rhoda when her show first went into syndication in the 70s. I loved her apartment, I loved her sister, and boy, did I love Joe (David Groh). OK, I didn’t love him right off the bat, I liked him, and was sad when their marriage didn’t work out. Then I was terrified by him when he played D.L. Brock on General Hospital. Then I fell in love with him as an adult when I had a chance to watch Smash-Up on Interstate 5. It took 30 years for me to realize how incredibly gorgeous he was, but once I did I never looked back! As an aside, I saw David Groh about a year or so before he passed away eating lunch at the restaurant next to my work. He was in a heated conversation with his friend and after I got about 10 feet away from him, both my friend I looked at each other very excitedly and squealed “That was David Groh!!!” which was kind of awesome since my friend is a guy and doesn’t really squeal. But that’s the effect David had on us. Wait, that wasn’t just an aside, that whole opening was an aside… Back to work…




Mary and Rhoda was intended to be a television series, but because the pilot was not well received by the ol’ ABC execs the show was eventually turned into a TV reunion movie. Moore, who served as executive producer stated during filming that she saw Mary and Rhoda as the first of a series of movies where she could bring back people like Lou Grant. Moore said in an interview, “My feeling at the time was, since we had so many new people to introduce, we should stick with our new family.” Moore also revealed that working as a producer on this project was stressful and that she longed for her old buddies on the set. "It would have made me feel a lot comfier,” she said in the same interview, “to have some of those pals around, but that’s something for future projects, maybe.” That maybe was of course never to be, because despite the fact that it was an enormous success in terms of the numbers of viewers (somewhere around 18 million!), it was considered tepid at best by the critics (and many of the fans). I would imagine the biggest complaints were that the humor was a lot more sentimental and sweet and less laugh out loud, and omitting the old Minneapolis crew was a let down.


Mary and Rhoda picks up about two decades later as both the of the women find themselves in New York City. Mary’s senator husband has just died in a rock climbing accident (!) and Rhoda is divorced from some French guy that she apparently really hates! They both have daughters that are the same age, and each one has been named in tribute of mother’s BFF. Rhoda’s daughter is named Meredith (Marisa Ryan) and Mary’s daughter is named Rose (Bethany Joy Lenz) after, you guessed it, Rhoda! Although the movie doesn’t really delve into the daughter’s characters, it looks like they could have been switched at birth. Meredith is pragmatic and smart and Rose uses every situation to make a joke. In fact, she wants to leave school to become a comedian. Too bad she’s not so good at it. Hey, we can’t all be Rhoda. But the crux of the movie, and a reason I really enjoyed it, was that it made a strong statement about women and ageism in the workplace. Both Mary and Rhoda want to get back to their old career women lives, but neither is taken seriously. There’s a humorous interview montage where Mary begins lying about her age and it ends with her asking, “How old do you think I look?” as she peeks out behind dark sunglasses. In the end, Mary is only hired for a news show because the boss is worried that he’s going to be sued by another disgruntled employee for age discrimination. Mary sets out to prove herself to the station with a rather schmaltzy news story involving white gangs! I kid you not. It’s silly, it’s heavy-handed, it’s overly sentimental and it’s probably the weakest part of the movie (definitely expect to groan a little), but it works in the story, since Mary is still portrayed as the girl who likes to let her heart get in the way of sensationalism.



Rhoda’s story isn’t as strong, but it’s more fun, as she ends up being an assistant to a fashion photographer. Of course, humor always gets her on people’s good side, and this time is no different. Honestly, I’m a Rhoda-phile, so I would have preferred more Rhoda, but overall I thought the film was sweet. Does it compare to either Mary or Rhoda’s phenomenal shows? No, it doesn’t even come close, but it’s so innocuous, I can’t really complain much. I just loved seeing these two lovely ladies reunited. While I won’t recommend the movie, I will say if you are a TV movie softie like me, you will probably enjoy it.





Just had to throw in one pic of Joe! Rawr!

Wednesday, April 25, 2012

Read Bad Ronald on Kindle! And More TV Mayhem!

You only need to look at my blog to know I'm always a little behind the times... I just saw the Mary and Rhoda reunion movie last month for crissakes! But even I'm surprised at some of the cool stuff I've missed. For one, did you know the original novel Bad Ronald was available on Kindle for only $5.99?!? I only found out today when I randomly looked up the book... you know, for giggles. The paperback is also available for under $20.00! Again, who knew? I have lived most of my adult life assuming the book to Bad Ronald would forever elude me, and this thing called technology showed up, and here we are! Anyway, if you like TV movies, then you probably adore Bad Ronald, so I suggest picking up the book now that it's actually affordable! (and, in case you are interested, here's the link to my review of the movie).
Also, you might want to dig just a little into your pocketbook next month because the rare short lived television series Ghost Story aka Circle of Fear's first season is coming out on DVD!!! Holy cow. I wish I could take credit for discovering Ghost Story's exciting DVD release, but I actually got the info from a nice young man named Jeremy who frequents my Facebook page. Thanks Jeremy! You're a pip! Also, another FB page friend named Shamos has been giving his own love to the made for TV movie and I implore you to visit his Tumblr page called Shameful Clutter! It's pretty fab. He's also been adding photos to the FB page, so please stop and "like" it and then join us in all the Mayhem-ness!

Friday, April 20, 2012

The Rape of Richard Beck airing on This TV this Sunday!


The Rape of Richard Beck (aka Deadly Justice) is a controversial made for television film which originally aired on May 27th on ABC. Directed by Karen Arthur, Beck was nominated for 2 Emmys and one Golden Globe (Crenna was nominated by both organizations). Richard Crenna plays Beck, a tough as nails cop who is completely insensitive to sexual assault crimes. Needless to say, the tables are turned when he is attacked. Beck comes under the same scrutinies he put other victims through and is transformed because of the crime. I saw this movie for the first time about 10 years ago, and I remember it was pretty harrowing stuff, and that was in the early 2000s. I can only imagine what was going through people's heads in 1985 and I commend the filmmakers and Crenna for tackling such a heavy duty subject. It is airing at 3 am on This TV, but I'm not sure if that's only the Eastern Standard Time or not. Check out their site for the deets! For those of you who don't get This TV, you can buy the movie on DVD. I'm kind of surprised that Beck isn't brought up more, as it's fairly unique and it shows that even towards the end of reign of the TV movie, there was still plenty of interesting stuff airing.

(btw, I was just looking at the DVD cover and tagline and I think it does a total disservice to the film. It looks like some action flick. I can only imagine what blind buyers are thinking when they pop it in the DVD player!)

Wednesday, April 18, 2012

Dick Clark (1929 - 2012)


America's Oldest Teenager certainly did seem eternally youthful and boyishly handsome through a good portion of his life. Dick Clark spent most of my childhood on my television screen or closely behind the scenes on such shows as American Bandstand, The $25,000 Pyramid, TV's Bloopers and Practical Jokes and New Year's Rockin' Eve. His company Dick Clark Productions also produced a few TV movies including Murder in Texas (1980) and The Demon Murder Case (1983). He was also responsible for producing the awesomely bizarre special called Men Who Rate a Ten (Holy cow)! And who could forget Valentine Magic on Love Island (1980)? OK, so I have seen it yet, but I will (or mark my words, I will).

I'll be honest, I don't know much about Dick Clark except for what I've seen on camera. He had an affable presence and gave me a lot of wonderful memories. I think American Bandstand must have been on my television ever Saturday from the time I was 10 until I graduated high school. Only recently have I re-watched The $25,000 Pyramid where he gave everyone approximately 15 seconds to shamelessly promote themselves, so he could keep the game rolling. He was an awesome presence, yet it often felt like he wasn't doing much of anything. He had a great smile and that way about him. I never felt like he was forcing himself on the audience and he was the heppest square I ever saw. In short, I adored watching Clark whenever he was on TV. After his stroke in 2004, my heart would always break a little when he appeared on New Year's Rockin' Eve but at the same time it also inspired me to see that he was still proudly putting himself out there. A show business professional all the way, his last appearance was last year on Rockin' Eve. Clark passed away today at the age of 82.

Clark is survived by his wife and three children, as well as Dick Clark Productions, which is probably one of the greatest legacies television could ask for. RIP Mr. Clark, and thank you for the memories.







Friday, April 6, 2012

Ladykillers (1988)



Today is Marilu Henner's birthday, and to celebrate I thought it would be fun to reprint this review I wrote for her excellent TV movie Ladykillers. I reviewed it eons ago for another site, and I thought it was high time it made its way to my little blog dedicated to the small screen movies I adore. Ladykillers is one of my favorites. It's as fluffy and airy as cotton candy and just as sweet!

I actually wrote a shorter review of Ladykillers here at MFTVM when I first got rolling and I compared it to the other male stripper TV flick For Ladies Only. You can read the madness here.

Happy Birthday Marilu!



Network: ABC
Original Air Date: November 9th, 1988

Let's face it, TV Movies get a bum rap. Just the other day my good friend was asking me if I had seen the Jan Michael Vincent/Charles Bronson action flick, The Mechanic, which he referred to as “One step above a TV Movie.” Don’t get me wrong, he practically froths at the mouth every time I mention the words Sweet Hostage, but he is also well aware of the confines of the Movie of the Week Syndrome. No foul language, no nudity and toned down violence can certainly dampen anyone’s good time. His casual insult kind of hits the mark when it comes to many TV movies, but Ladykillers simply isn’t happy being that kind of movie and this one goes all the way to becoming the hottest thing since feathered hair and roach clip barrettes and in my modest eyes, it’s a minor cult classic.


Originally released on November 9th, 1988 on ABC, Ladykillers is about a serious female plain-clothes detective played by Marilu Henner (sporting some serious cleavage in various scenes) who falls in love with a rookie named Cavanaugh (Thomas Calabro). Their first case together is to find a lady in an intriguing Tina Turner wig and a muumuu (or frock if you want to add a bit of class) who is stalking the male strippers at Ladykillers, the hippest nightclub in town. The veritable hotspot features bartenders in silver get-ups, an MC who says “All you sexy, sexy ladies”, various oiled up men dancing to the biggest hits of the year, women with NO shame and a club owner named Morgana (Leslie Anne Down with some awesome gravity defying hair!) who purrs lines like “My clients will devour him.” Unfortunately, our bold killer actually attacks the victims during their big number at the end of the show! And, ironically, it ends up being good for business. I mean, I kind of like G strings and carnage myself. To uncover the sinister culprit, Cavanaugh goes undercover as Mr. Chippendales himself! I won’t say much about my favorite Melrose Place alumni but his fabulous gorilla like dance moves have to be seen to be truly enjoyed. To do these steps yourself, just remember: knuckle drag – butt swing – knuckle drag – butt swing and you’ll have it!


Ladykillers is a movie that came and went, although it enjoyed a small release on vhs. It may just seem like another footnote to the hundreds of TV movies that came out in the 80s. However, where most episodic programming and small screen features were highlighting the latest music of the decade with remakes of current hits (obtaining the originals was often a very expensive venture), Ladykillers featured all original tunes including songs by Living Color, Midnight Oil and Jeffrey Osborne. I’ll admit it was quite startling to see someone in fur boots stripping to Midnight Oil’s profoundly political song Beds are Burning, but he got naked, so who cares?!? Oh yeah, and it’s a good song.

Jeffrey Osborne’s dynamic Stay With Me Tonight is the showcase song (i.e. it’s the one Calabro strips too) and for many years I enjoyed watching this movie just to hear it. Well, and to watch Calabro strip.


These fabulous photos come courtesy of TV Spielfilm.

And for more naked men mayhem, please read my article about Made for TV Machismo and Playgirl.

Thursday, April 5, 2012

The Woman in Black Could Be Haunting Your House on May 22nd!




The Woman in Black remake is coming to DVD on May 22nd so if you missed it or you just enjoyed it (like I did), please pick up a copy.

You can read my review of it here and you can also read my review of the original here.

I updated the links in the Movies About Girls Podcast section on the right. I recently rejoined the crew to discuss Black Snake Moan! I got way too serious about the whole affair (too many theory classes this semester), but I had a blast. Please check it out!

Like a dummy, I had no idea that Mary and Rhoda was on DVD, so just in case you missed it on Hallmark last week, you still have a chance to see it (for better or worse). I'll have a review of it going online soon (one hopes).

I'm also gearing up for finals so things might be a little sparse round these parts for the next couple of weeks. I would like to invite you all to check out my Facebook Page and like, like, LIKE it! I try to post there daily, so it's a good way to get your TV movie fix!

Sunday, March 25, 2012

Mary and Rhoda airing on Hallmark!



Looks like they made it after all!

Despite the fact that Mary and Rhoda scored almost 18 million viewers when it premiered on February 7th, 2000 on ABC, I somehow managed to miss it. How did that happen? Two of my favorite TV girls reuniting decades later and I wasn't there! Where was I? I can't correctly recall now but I'm sure whatever I was doing, it wasn't nearly as fun.

Mary and Rhoda was originally intended to be a television series but the suits at ABC weren't happy with the pilot (suits = bah) and decided to have a one off film, which turned out to be incredibly successful, beating out that night's competitors (as if there were any questions!).

So, I was thrilled to see that the Hallmark Channel is airing Mary and Rhoda on Sunday, April 1st at 8pm! And to make life even sweeter, they are also hosting an all day marathon of The Mary Tyler Moore Show starting at 10am - after 4 episodes of the Golden Girls. I think this might be heaven. I know I say that a lot, but this time I do think this might actually be heaven, or at least sitcom heaven... Although I am sure the wardrobe won't be quite as groovy.

Here is the opening to Mary and Rhoda. And yes, that is Joan Jett singing the theme! My, how times have changed!



And check out the Mary and Rhoda page at Rhoda online.

Monday, March 19, 2012

Dallas: Premiere Air Date



Dallas 2012 is just around the corner. TNT officially set the release date for June 13th, 2012, and they're getting the whole shebang off the ground with a 2 hour episode, which I like to call a TV movie! I am very excited for this reboot. Word on the street has it that Sue Ellen is now running Ewing Oil. I'm sure she kept J.R.'s wet bar in its proper place.

Will you watch the new Dallas?

Sunday, March 18, 2012

The Elevator (1974)



Network: ABC
Original Air Date: February 9th, 1974

It was the 70s and disaster was in the air. We mostly got it via Irwin Allen, who made blowing up big things pretty great. The small screen got in on the action too – Allen himself produced some of them, including Flood (1976) and Fire (1977) – but their smaller budgets wouldn’t always allow for such grandiose detonations and many TV movies opted for a claustrophobic slant. Terror on the 40th Floor made a decent, but flawed attempt at this approach, but The Elevator managed its confined setting in much more assured ways.


The Elevator is an all star event. Who knew you could cram Craig Stevens, Myrna Loy, Arlene Golonka, Teresa Wright, Roddy McDowall and James Farentino into one tin box? There’s even more packed in there, but those were the faces I instantly recognized. They are trapped somewhere between floors in a high-rise building that has closed for a long holiday. Even worse, the elevator seems to be stuck somewhere between the ten floors that are still under construction. On the outside are Don Stroud and Carol Lynley. Along with Farentino, this gorgeous threesome has just robbed and murdered someone in the building. Unfortunately, as Irene (Lynley) waits patiently in the getaway car, Pete (Stroud) is separated from Eddie (Farentino) and left outside the congested elevator. When Pete finally gets back to Irene, he realizes Eddie never made it and he has to re-break into the building. Eddie has a lot on his plate though, as he suffers claustrophobia and is not having a good time at all, especially with Amanda (Loy) gabbing on and on about a lot of nothing. She had ventured into the building in the hopes of finding a nice office for her son to lease. It is here she meets cranky leasing agent Marvin (McDowall), and he enlists Dr. Stewart Reynolds' (Stevens) classy office as an example of what this new skyscraper has to offer. This is pretty much how they all end up together on the elevator, which is set to plummet a few dozen floors at any minute. There’s also a rich kid who wants his trust fund to go directly into his teenage pocket and his mother who would like her son to be able to grow a beard before he can shop at Hermes. And Dr. Reynolds' wife (Wright) has also come aboard the deadly lift unaware that her husband has been knocking boots with his nurse (Golonka).


As you can guess, heavy melodrama ensues, and eventually Eddie just wants them all to save the drama for their mama and he pulls out his gun. He keeps creating problems for this motley band of potential victims while they work out their personal problems.

The Elevator is fairly suspenseful. Obviously, a huge chunk of the movie takes place in a very small setting, but director Jerry Jameson keeps things moving with the story involving Stroud and Lynley. Jameson would become an old pro at small screen disasters afterwards and would go on to direct Terror on the 40th Floor and Hurricane (both in 1974). According to IMDb, actor David Ketchum, who is probably best known as playing Agent 13 on Get Smart, co-wrote this movie with Bruce Sheeley and Rhonda Blecker (who IMDb lists as uncredited). This was Sheeley and Blecker’s only script and Ketchum’s lone TV movie, although he’s penned everything from episodes of Love, American Style to MacGyver. It’s an interesting scenario and well done. There were many moments I wondered how they were going to get out of that elevator or at least escape Eddie’s unfair treachery. For the most part, it all ties together nicely, although some stories are never resolved or hardly touched upon at all, such as Dr. Reynolds' affair, which is practically forgotten about in the first half.


Marvin and Amanda are the most fun characters to watch and while you are pretty certain as to what Amanda’s motives are from the get-go, Loy gives a sweet, sympathetic turn as her story evolves and we see how loneliness often befalls the citizens of an urban landscape, despite their physical closeness to one another. I guess there’s a message there, but luckily it never interferes with the melodrama and action, making The Elevator a pretty great ABC Movie of the Week.

Friday, March 9, 2012

Made for TV Machismo: Playgirl Style


I think it will come as no surprise when I say that many of the actors of 70s television exuded S-E-X. That’s just the way it was with those tanned gods of the airwaves. I have always been about the machismo, and while the 80s took it to superhuman level, I thought the 70s was a nice balanced point for rippling muscles. It just so happens that the 70s was also the decade Playgirl hit the magazine stands. Douglas Lambert founded it in 1973 although he credited his wife Jenny with the idea. In a 1987 interview Lambert attributed the magazine’s success to its “clear focus” and reported that at one point they had over 2 million subscribers.

Playgirl was indeed a phenomenon that happened to be in just the right place at the right time. In an era of bra burning, it was only a matter of time before objectification of gender switched. Although the founder says the original intent of Playgirl was to hit a female audience with something new, Playgirl has also always been synonymous with the gay movement. In short, they successfully pleased many. I can’t say I was a regular reader of the magazine (and I use the word reader lightly, perhaps gawker is better), I do remember obtaining a copy back in the mid 80s. My first naked man came via those pages of Playgirl, and I think it kept me away from real naked men for quite some time. Yikes! But now that I’m older and, uh, better equipped for this sort of thing, I’ve been getting nostalgic for the decade where men willingly shared their, uh, assets with their fans! According Jacki King, who did an article in 1974 for the Associated Press, none of the actors were paid. He said (and I quote) “they did it for the exposure.” Sometimes the jokes just write themselves! Playgirl was popular enough that Penthouse spawned its own imitator called Viva, after Bob Guccione declared naked men as “lewd.”


Hollywood-gossip-columnist-turned-Playgirl-centerfold-booker Toni Holt hated the word beefcake and she didn’t care how good your body was if you had “dead eyes” (which means Jaws wouldn't have been able to pose). She also said looking at the naked male was healthy, because viewing male nudity was, until the more liberating 70s, a secretive practice which was now being flounced around for everyone and their grandmothers to ogle over. I think we call that a breakthrough. Originally, most of the actors did not reveal everything, with arms and other things covering up the proper business. However, this wasn’t always the case, as a couple of actors did ask to have more explicit photo shoots. However, I discovered that by end of Playgirl’s extremely successful first year of publication, the less is more tactic became no more.

Of all the Playgirl factoids I learned while researching this article, I was most struck with the detail that Lyle Waggoner was the first centerfold for Playgirl. That’s right, after June of 1973 things were never the same! I adore Lyle but was admittedly a tad shocked. But that’s what started this journey, as I started looking up some of my favorite actors and discovered that many of them got buck-naked on those glossy pages. I thought I’d compile a list and share some thoughts on some of my favorite small screen machismo. And for better or worse, I decided to go PG-13 with the pics. If you care to check out the real thing go to this site.

Lyle Waggoner: Gorgeous was never so good natured. Lyle is most famous for appearing on the Carole Burnett Show and for playing Major Steve Trevor on Wonder Woman. He is also the first stud to grace the centerfold of Playgirl, which I am guessing was a fairly controversial choice on his part. Being the funny fellow he is, he worked his stint as Playgirl model into an old stage act where he quipped, “Some people thought the picture was a little over-exposed, others thought it was a little under-developed.” That’s a funny quote because I think the whole affair turned out just right.

George Maharis: George is probably best known for playing sexy drifter Buz Murdock on Route 66 in the 60s, but I know him best for showing up in a gazillion things in the 70s. I remember him most from The Victim, even though his part isn’t that big. And not ever did I think I’d find out how big his parts actually were (ha! I got a million of ‘em), but then he posed for Playgirl for the July 1973 issue. Not to be outdone by Lyle, his layout was a little more explicit (as per his request), and as you can see it also featured horses. I’m sure there’s some kind of subliminal message in there, but I think I’ll just leave it up to your imagination.

Gary Conway: I’m ashamed to say I don’t know much about Gary Conway except that he was on Land of the Giants and, as you can see, he was hot. Rawr! He was Mr. August of 1973, and I swear the end of summer never looked so good!








Fabian Forte: Holy cow, Fabian! Turn me loose! There is no denying that Fabian is adorable. I can’t remember a time when I didn’t have a crush on him, and while his September 73 Playgirl spread is a little tame I'm glad he left a little something for our fantasies! Dreamy Fabian appeared on many television shows in the 70s, such as The Hardy Boys and even a couple of TV movies, including Katie: Portrait of a Centerfold, but I think it was his appearance as himself on Laverne and Shirley that taught me the charms of Fabian and his beautiful smile. Stand back, I think I might swoon!


Fred Williamson: Uber-stud Williamson started out as a professional football player (where he earned the nickname The Hammer because of how hard he was on his opponents) before he decided the silver screen was beckoning him. He’s best known for starring in several Blaxploitation movies during the 70s, such as Hell Up In Harlem and Black Caesar, but he also appeared on television as well. He won my heart on Julia but he also showed his brawny manliness off on such shows as Police Story and Supertrain. He also bared his other talents in the October 73 issue of Playgirl. I love this pic of him with that little kitten and I would love to be his feline pal any day. I met Fred several years ago at a convention and I have to say he’s even cooler in person than he is on screen. Oh, I’m swooning again!

Don Stroud: Like George Maharis Don asked for a more explicit layout and boy, is that what we got. Don is a stalwart of film and television, usually playing the heavy, and sometimes playing it too well. I was always a little intimidated by his presence onscreen and that actually made him one of the greatest things about 70s TV (I like being scared!). Plus he was in everything! I loved it. Like Fabian, he also appeared in Katie: Portrait of a Centerfold (I’m starting to think the casting agent liked in-jokes) and he was also a regular on Mrs. Columbo. Stroud was menacing and handsome and an extremely effective actor. It seems somewhat fitting that his November 73 Playgirl layout would go the extra mile because he is one of the best bad boys of Hollywood, no?

Peter Lupus: I am ashamed again. I am not all that familiar with Peter, except that he was Willy Armitage on Mission Impossible. However, I can say by 1974, they were really upping the bar with the celeb layouts, as his was the most explicit to date. I think I can safely assume Peter was not shy. He was a bodybuilder who was apparently named the oldest person to bench press 300 lbs by the Guinness Book of World Records. Yowza!




Christopher George: I’m not really sure what’s going on with Chris and the food motif in his June 1974 Playgirl layout, but it hardly matters. He is my favorite guy on this list. I love this man. Love. In fact, the word love doesn’t really describe my feelings for Chris who is such a treat to watch onscreen. I adore that leathery, square-jawed jib and I think he is also one of the most wonderful actors of all time. Forever consistent, he is just too much fun to watch. I know him mostly for the string of horror movies he made in the early 80s right before his death (many of which starred his wife Linda Day George), but he was also a mainstay on the small screen. I most recently caught him on an episode of Vega$ called Serve, Volley and Kill where he played the bad guy, as he so often did. I wrote a tribute to him awhile back, so I’ll just post the link.


Jim Brown: OK, so Jim didn’t do all that much in the way of television in the 70s, but I saw he was in a two part episode of CHiPs titled Roller Disco and, well, that was enough for me! Like Williamson, Jim, who was the centerfold model in September of 1974, was another football player who became an actor and found out he was really good at it! I mostly know him from Three the Hard Way, where Williamson was his co-star. Oh yeah, and also for I’m Gonna Git You Sucka, but I really need to see that CHiPs episode!


Steve Bond: Lordy, Lordy, Lordy, this is why I enjoy having my own blog. Steve did nothing on television in the 70s, but I get to put Mr. October 75 on this list anyway. He played Jimmy Lee Holt on General Hospital in the 80s and that’s what I remember most about him (and his role in the awesome slasher The Prey). Steve worked as a model in the 70s to make ends meet and can even be found in some old Chippendale card packs, although he never worked at any of the clubs. In 1984 he was voted the Most Exciting New Actor on a Soap by Soap Opera Digest fans. Exciting, indeed. I can’t think of a better word to describe Mr. Bond.



Honorable Mentions for non-Playgirl layouts:


Ben Murphy in Viva: Ben Murphy is seriously one of my all time great crushes. It all started in 1983 when he starred on a short-lived series called Lottery. I ended up backtracking a little when I grew up and started to watch his work from the 70s. Although he’s best known for Alias Smith and Jones, I was enchanted by Gemini Man and a weird horror movie he made in the early 80s called Time Walker. When he posed for Viva in 1973 he was poised for super stardom. It was unfortunate that he didn’t reach that pinnacle, as it was surely deserved, but he did become a wonderful character actor that I enjoyed catching on all my favorite shows. I still watch that Fantasy Island where he played a dying boxer from time to time and last night I decided a viewing of his Murder, She Wrote episode Reflections of the Mind was in order. Viva’s layout was a bit different from Playgirl as it was an erotic pictorial featuring Murphy’s finer assets and a female companion. The lady was Bess Cofield, a singer for a band called W.W. Fancy that I can’t find any info on. She was adorable, and his layout is probably my favorite of all the one’s I’ve listed, because it actually tells a little story. Even looking at the pics now makes me giggle. What can I say, he brings out the schoolgirl in me, and I love him for it!

Andrew Prine in Viva: Andrew Prine also did a layout in Viva, and it was a bit more explicit. He splits his time between a woman and horse, and well, as I’ve said before, I’ll leave it all up to your imagination (or your Google skills). Andrew is a wonderful character actor. I have had the pleasure of seeing him speak in person several times when I lived in LA. He is hilarious and charming and still terribly handsome. He was a steadfast actor of 70s television and he also appeared with Ben Murphy in the TV movie Riding with Death, which was really just two episodes of The Gemini Man mashed together to reach movie length. He was also one of Chris George’s best friends, so you see we are coming full circle.


Burt Reynolds in Cosmopolitan: Of course, this must be the most famous male centerfold of all time. Burt posed nude for Cosmopolitan in 1972 on a whim and said, “When I list the three most unimportant events in my life, this will be one of them… I thought it was good for a laugh, and it’s something unpredictable.” Although he intended it to be a spoof of the infamous Playboy centerfolds, this image would become iconic (and reproduced often, most recently with Mario Lopez who is too plastic for my tastes… Sorry Slater). Reynolds didn't do too much on television in the 70s, but he did star on Dan August which was a spin off from the excellent tele-film House on Greenapple Road (where Chris George played August).

I read a rather disparaging comment about this photo on another site that was making fun of his looks and I thought that was completely disrespectful. I know not everyone is running around looking for a way to get back to the 70s like I am, but if you really think Burt Reynolds is unattractive, then you must not like men. If you need a stache-less example then rent Deliverance. Machismo on an effen stick. And aside from his looks, he’s hilarious and a talented actor. I’m really tired of hipsterish comments that insist on making fun of things simply because times have changed (and not always for the better). I love this picture of him so much I am going to include Bullwinkle’s spoof! Now, that’s machismo!


If you are interested in more stud-age - and who isn't - please check out my article at Planet Fury on 70s Beefcake: A Look Back at Machismo

I'd also like to thank Craftypants Carol who turned me onto this whole hot actors in Playgirl thing!