Showing posts with label Special Blog Post. Show all posts
Showing posts with label Special Blog Post. Show all posts

Friday, June 28, 2013

TV Movie Memes!


On a whim I decided to see if I could live in the modern world and make a bunch of memes. Of course, I had to keep it all retro, and I had fun. So, I went crazy and created all of the images below.

Most of the following stills came from TV movies (note: MFTVM reader and all around TVM nut Amyellyn came up with the idea for the "Drink Coffee" Stranger Within meme. Thank you Amy!). I'm not sure who will like them, or even care about them, but that little voice inside kept saying, "Ahhhh," while I was making 'em. Isn't it all about inner peace?

If you like these, please free to share them where ever your heart takes you. All I ask is that you keep the little "MadeForTVMayhem.com" tag on them, so other TV movie luvin' people know where to find me.

What memes do you like?

TV Movie Memes

Bad Ronald:



The Devil's Daughter:



Dark Night of the Scarecrow:



Do Not Fold, Spindle or Mutilate:



Don't Be Afraid of the Dark:



Duel:



Gargoyles #1:



Gargoyles #2:



Revenge:



The Stranger Within #1:



The Stranger Within #2:



This House Possessed #1:



This House Possessed #2:



This House Possessed #3:



TV Show Memes 

Dallas:



Fantasy Island:



Flo from Alice:



Policewoman:



Twiki from Buck Rogers:

Friday, March 9, 2012

Made for TV Machismo: Playgirl Style


I think it will come as no surprise when I say that many of the actors of 70s television exuded S-E-X. That’s just the way it was with those tanned gods of the airwaves. I have always been about the machismo, and while the 80s took it to superhuman level, I thought the 70s was a nice balanced point for rippling muscles. It just so happens that the 70s was also the decade Playgirl hit the magazine stands. Douglas Lambert founded it in 1973 although he credited his wife Jenny with the idea. In a 1987 interview Lambert attributed the magazine’s success to its “clear focus” and reported that at one point they had over 2 million subscribers.

Playgirl was indeed a phenomenon that happened to be in just the right place at the right time. In an era of bra burning, it was only a matter of time before objectification of gender switched. Although the founder says the original intent of Playgirl was to hit a female audience with something new, Playgirl has also always been synonymous with the gay movement. In short, they successfully pleased many. I can’t say I was a regular reader of the magazine (and I use the word reader lightly, perhaps gawker is better), I do remember obtaining a copy back in the mid 80s. My first naked man came via those pages of Playgirl, and I think it kept me away from real naked men for quite some time. Yikes! But now that I’m older and, uh, better equipped for this sort of thing, I’ve been getting nostalgic for the decade where men willingly shared their, uh, assets with their fans! According Jacki King, who did an article in 1974 for the Associated Press, none of the actors were paid. He said (and I quote) “they did it for the exposure.” Sometimes the jokes just write themselves! Playgirl was popular enough that Penthouse spawned its own imitator called Viva, after Bob Guccione declared naked men as “lewd.”


Hollywood-gossip-columnist-turned-Playgirl-centerfold-booker Toni Holt hated the word beefcake and she didn’t care how good your body was if you had “dead eyes” (which means Jaws wouldn't have been able to pose). She also said looking at the naked male was healthy, because viewing male nudity was, until the more liberating 70s, a secretive practice which was now being flounced around for everyone and their grandmothers to ogle over. I think we call that a breakthrough. Originally, most of the actors did not reveal everything, with arms and other things covering up the proper business. However, this wasn’t always the case, as a couple of actors did ask to have more explicit photo shoots. However, I discovered that by end of Playgirl’s extremely successful first year of publication, the less is more tactic became no more.

Of all the Playgirl factoids I learned while researching this article, I was most struck with the detail that Lyle Waggoner was the first centerfold for Playgirl. That’s right, after June of 1973 things were never the same! I adore Lyle but was admittedly a tad shocked. But that’s what started this journey, as I started looking up some of my favorite actors and discovered that many of them got buck-naked on those glossy pages. I thought I’d compile a list and share some thoughts on some of my favorite small screen machismo. And for better or worse, I decided to go PG-13 with the pics. If you care to check out the real thing go to this site.

Lyle Waggoner: Gorgeous was never so good natured. Lyle is most famous for appearing on the Carole Burnett Show and for playing Major Steve Trevor on Wonder Woman. He is also the first stud to grace the centerfold of Playgirl, which I am guessing was a fairly controversial choice on his part. Being the funny fellow he is, he worked his stint as Playgirl model into an old stage act where he quipped, “Some people thought the picture was a little over-exposed, others thought it was a little under-developed.” That’s a funny quote because I think the whole affair turned out just right.

George Maharis: George is probably best known for playing sexy drifter Buz Murdock on Route 66 in the 60s, but I know him best for showing up in a gazillion things in the 70s. I remember him most from The Victim, even though his part isn’t that big. And not ever did I think I’d find out how big his parts actually were (ha! I got a million of ‘em), but then he posed for Playgirl for the July 1973 issue. Not to be outdone by Lyle, his layout was a little more explicit (as per his request), and as you can see it also featured horses. I’m sure there’s some kind of subliminal message in there, but I think I’ll just leave it up to your imagination.

Gary Conway: I’m ashamed to say I don’t know much about Gary Conway except that he was on Land of the Giants and, as you can see, he was hot. Rawr! He was Mr. August of 1973, and I swear the end of summer never looked so good!








Fabian Forte: Holy cow, Fabian! Turn me loose! There is no denying that Fabian is adorable. I can’t remember a time when I didn’t have a crush on him, and while his September 73 Playgirl spread is a little tame I'm glad he left a little something for our fantasies! Dreamy Fabian appeared on many television shows in the 70s, such as The Hardy Boys and even a couple of TV movies, including Katie: Portrait of a Centerfold, but I think it was his appearance as himself on Laverne and Shirley that taught me the charms of Fabian and his beautiful smile. Stand back, I think I might swoon!


Fred Williamson: Uber-stud Williamson started out as a professional football player (where he earned the nickname The Hammer because of how hard he was on his opponents) before he decided the silver screen was beckoning him. He’s best known for starring in several Blaxploitation movies during the 70s, such as Hell Up In Harlem and Black Caesar, but he also appeared on television as well. He won my heart on Julia but he also showed his brawny manliness off on such shows as Police Story and Supertrain. He also bared his other talents in the October 73 issue of Playgirl. I love this pic of him with that little kitten and I would love to be his feline pal any day. I met Fred several years ago at a convention and I have to say he’s even cooler in person than he is on screen. Oh, I’m swooning again!

Don Stroud: Like George Maharis Don asked for a more explicit layout and boy, is that what we got. Don is a stalwart of film and television, usually playing the heavy, and sometimes playing it too well. I was always a little intimidated by his presence onscreen and that actually made him one of the greatest things about 70s TV (I like being scared!). Plus he was in everything! I loved it. Like Fabian, he also appeared in Katie: Portrait of a Centerfold (I’m starting to think the casting agent liked in-jokes) and he was also a regular on Mrs. Columbo. Stroud was menacing and handsome and an extremely effective actor. It seems somewhat fitting that his November 73 Playgirl layout would go the extra mile because he is one of the best bad boys of Hollywood, no?

Peter Lupus: I am ashamed again. I am not all that familiar with Peter, except that he was Willy Armitage on Mission Impossible. However, I can say by 1974, they were really upping the bar with the celeb layouts, as his was the most explicit to date. I think I can safely assume Peter was not shy. He was a bodybuilder who was apparently named the oldest person to bench press 300 lbs by the Guinness Book of World Records. Yowza!




Christopher George: I’m not really sure what’s going on with Chris and the food motif in his June 1974 Playgirl layout, but it hardly matters. He is my favorite guy on this list. I love this man. Love. In fact, the word love doesn’t really describe my feelings for Chris who is such a treat to watch onscreen. I adore that leathery, square-jawed jib and I think he is also one of the most wonderful actors of all time. Forever consistent, he is just too much fun to watch. I know him mostly for the string of horror movies he made in the early 80s right before his death (many of which starred his wife Linda Day George), but he was also a mainstay on the small screen. I most recently caught him on an episode of Vega$ called Serve, Volley and Kill where he played the bad guy, as he so often did. I wrote a tribute to him awhile back, so I’ll just post the link.


Jim Brown: OK, so Jim didn’t do all that much in the way of television in the 70s, but I saw he was in a two part episode of CHiPs titled Roller Disco and, well, that was enough for me! Like Williamson, Jim, who was the centerfold model in September of 1974, was another football player who became an actor and found out he was really good at it! I mostly know him from Three the Hard Way, where Williamson was his co-star. Oh yeah, and also for I’m Gonna Git You Sucka, but I really need to see that CHiPs episode!


Steve Bond: Lordy, Lordy, Lordy, this is why I enjoy having my own blog. Steve did nothing on television in the 70s, but I get to put Mr. October 75 on this list anyway. He played Jimmy Lee Holt on General Hospital in the 80s and that’s what I remember most about him (and his role in the awesome slasher The Prey). Steve worked as a model in the 70s to make ends meet and can even be found in some old Chippendale card packs, although he never worked at any of the clubs. In 1984 he was voted the Most Exciting New Actor on a Soap by Soap Opera Digest fans. Exciting, indeed. I can’t think of a better word to describe Mr. Bond.



Honorable Mentions for non-Playgirl layouts:


Ben Murphy in Viva: Ben Murphy is seriously one of my all time great crushes. It all started in 1983 when he starred on a short-lived series called Lottery. I ended up backtracking a little when I grew up and started to watch his work from the 70s. Although he’s best known for Alias Smith and Jones, I was enchanted by Gemini Man and a weird horror movie he made in the early 80s called Time Walker. When he posed for Viva in 1973 he was poised for super stardom. It was unfortunate that he didn’t reach that pinnacle, as it was surely deserved, but he did become a wonderful character actor that I enjoyed catching on all my favorite shows. I still watch that Fantasy Island where he played a dying boxer from time to time and last night I decided a viewing of his Murder, She Wrote episode Reflections of the Mind was in order. Viva’s layout was a bit different from Playgirl as it was an erotic pictorial featuring Murphy’s finer assets and a female companion. The lady was Bess Cofield, a singer for a band called W.W. Fancy that I can’t find any info on. She was adorable, and his layout is probably my favorite of all the one’s I’ve listed, because it actually tells a little story. Even looking at the pics now makes me giggle. What can I say, he brings out the schoolgirl in me, and I love him for it!

Andrew Prine in Viva: Andrew Prine also did a layout in Viva, and it was a bit more explicit. He splits his time between a woman and horse, and well, as I’ve said before, I’ll leave it all up to your imagination (or your Google skills). Andrew is a wonderful character actor. I have had the pleasure of seeing him speak in person several times when I lived in LA. He is hilarious and charming and still terribly handsome. He was a steadfast actor of 70s television and he also appeared with Ben Murphy in the TV movie Riding with Death, which was really just two episodes of The Gemini Man mashed together to reach movie length. He was also one of Chris George’s best friends, so you see we are coming full circle.


Burt Reynolds in Cosmopolitan: Of course, this must be the most famous male centerfold of all time. Burt posed nude for Cosmopolitan in 1972 on a whim and said, “When I list the three most unimportant events in my life, this will be one of them… I thought it was good for a laugh, and it’s something unpredictable.” Although he intended it to be a spoof of the infamous Playboy centerfolds, this image would become iconic (and reproduced often, most recently with Mario Lopez who is too plastic for my tastes… Sorry Slater). Reynolds didn't do too much on television in the 70s, but he did star on Dan August which was a spin off from the excellent tele-film House on Greenapple Road (where Chris George played August).

I read a rather disparaging comment about this photo on another site that was making fun of his looks and I thought that was completely disrespectful. I know not everyone is running around looking for a way to get back to the 70s like I am, but if you really think Burt Reynolds is unattractive, then you must not like men. If you need a stache-less example then rent Deliverance. Machismo on an effen stick. And aside from his looks, he’s hilarious and a talented actor. I’m really tired of hipsterish comments that insist on making fun of things simply because times have changed (and not always for the better). I love this picture of him so much I am going to include Bullwinkle’s spoof! Now, that’s machismo!


If you are interested in more stud-age - and who isn't - please check out my article at Planet Fury on 70s Beefcake: A Look Back at Machismo

I'd also like to thank Craftypants Carol who turned me onto this whole hot actors in Playgirl thing!

Friday, January 13, 2012

Worlds Without End are Ending


Who knew that Friday, January 13th, 2012 was going to be so unlucky for Amanda By Night? I guess I did last April when ABC announced it was cancelling two long time soaps, All My Children and my story, One Life to Live. Since then I’ve watched my show get cancelled, get picked up by a production company named Prospect Park as part of an interesting online venture and then dropped again, when they couldn’t secure the right financing (and guild deals, apparently). Now it’s completed its run and I am beyond words.

OK, I'm not completely beyond words... I'd just like to say that the actors, writers and crew of One Life to Live have risen to an extremely difficult challenge. The last few weeks have been nothing short of sheer brilliance, and the cliffhanger ending was fantastic. While I know they had to leave some stories open because they thought they'd go online, I love the choices they made and I'm looking forward to watching some of the characters move over to General Hospital.

That said, I still have a few bones to pick with the world of television programming...

I understand that television is a business. It’s all about the bottom dollar and deciding what kind of shows will reap the greatest financial rewards. It’s always been like that, but inside of that world of cold, conglomerate business-making there has been an artistic venture residing within. People who want to make great entertainment come in and do what they can with what they’ve got. It’s part of why I love made for television movies so much. Filmmakers were lucky if they were given two weeks to shoot something, and because of small budgets, they concentrated on characters, stories and mood. While the TVM genre became less fiscally rewarding, soaps kept up that tradition by putting together one hour shows, five days a week, all year. It’s amazing to think of how such a large group of people assemble everyday to rehearse, block and film dozens of pages of scripts. Of course they too were all about characters and ambiance. I know melodrama has become less cool over the years, but what’s disparaging is how cold (no pun intended) some people have become towards the daytime genre. I think people have lost respect for the work these people do, and it’s really sad. Sometimes I feel like we’ve become a world who either wants the cruddiest low budget reality programming (technically, the new soap opera) or extravagant effects-laden shows. Somewhere, we forgot about the middle.


I say that knowing that’s not completely true, and I know that with the advent of cable, there are simply too many options and audiences become fractured. In the end, all network television is in decline. But that doesn’t make it any less upsetting to see One Life to Live disappear from my daily viewing habits (and the only current programming I follow aside from Hot in Cleveland).

Soaps are a fantastic venue for escapism. I started watching One Life to Live 30 years ago, and I haven’t regretted an hour I set aside for my daytime drama. One of the reasons the show worked for me was because it had a great sense of humor about itself and the writers never seemed afraid to go there. Characters went back in time, they went to heaven (and came back), they discovered an entire city beneath the most palatial Llanview mansion, Llanfair and they had hilarious characters who often summed up the over-the-top situations with quirky one liners. They also had some incredibly intense and moving drama, such as when Megan died of lupus (I will never get over her death), or when they almost executed Todd Manning for a crime he didn’t commit. They had characters of all kinds of ages finding love in the afternoon. It was a beautiful, fantastic and wonderful ride, and I’m so happy I got to visit Llanview for the last three decades.


But the end of the show doesn’t just mean that I will be wondering how to fill that hour in my day, it also stands for the ongoing, and somewhat brutal, death of the genre. Since ABC announced they were cancelling One Life to Live, I’ve become a member of several Facebook groups (and yes, I am even part of a letter writing campaign), and there are thousands of us gathered together, wondering if it is possible to save our soaps. With SoapNet going bye-bye in the near future (another boneheaded business decision, as far as I am concerned) there isn’t much of an outlet for these shows, which I had once assumed would eventually move to cable. It’s a scary time for people like me, who love this kind of storytelling. It feels like no one is listening, and those channels I once held dear to me have become nothing but strangers, who I pass by on my remote as I look for better entertainment.

Sounds kind of melodramatic, don’t it? Well, I think I’m allowed to mourn to loss of my friend here today and I can’t think of any better fashion than to say there is no more love in the afternoon. Goodbye One Life to Live, I will always love you and I will never ever forget you.

Sunday, August 28, 2011

Don't Be Afraid of the Dark 2011


I have waited a long time for the release of the remake of Don’t Be Afraid of the Dark. Like with most re-imaginings I wondered if there was a point, and then I tried to keep tabs on how it was progressing, while checking out teaser trailers and whatever else I could find. I finally decided the remake had fallen into the right hands and I pulled back, trying not to get too much more information. I know I go from hot to cold, but the cold is still kind of hot. What a complicated creature I’ve become.

Anyway, I was finally able to see what I had hoped for and confront what I was afraid of this Friday when I went to catch the remake. Was it worth the wait? Kinda.

Dark is never a bad film, but it’s by no means great either. It has a lot of wonderful stuff, including an incredible house and some really suspenseful set-pieces. It also holds onto many of the things from the original that I love so much, including the ending. It’s different, but also very much the same, and that pleased me. However, the build-up doesn’t amount to the great sucker-punch of the 1973 version. Considering how quickly and cheaply the original was put together, it’s a true testament to how a potentially good film can reach a sort of greatness when placed in the right hands.

That said, I think young people who have no connection to the original will enjoy this reboot. I’m not sure why it’s rated R, but I do think if there are non-jaded tweens in the world (that’s doubtful, I know) they will get a kick out of the modern shenanigans.

I’ve seen fans of the original divided between enjoyment and complete disdain, so I find it a hard film to recommend. But I can say I had a lot of fun and got a thrill out of seeing “Teleplay by Nigel McKeand” in the opening credits! Bravo Nigel! If anything else, the classic version got some respect and for our troubles, we got a new film made by people who loved the original. And it shows.

By the way, it’s worth catching in the theater just to see the lush new trailer for The Woman in Black. Goosebumps, guys. Goose-bumps!

Friday, June 24, 2011

Chico and the Man: The Freddie Prinze Years (1974 - 1977)



Chico (Freddie Prinze) was the fun loving Hispanic who charmed his way into the life of Ed Brown (Jack Albertson), an old bigoted curmudgeon who didn’t like the uprise of the ethnic population in his neighborhood. A drunk and a loner, Ed crankily put up with Chico, a kid he hated to admit he liked. Well, it’s not hard to like Chico, the sweet natured entrepreneur was determined to get old Ed some business into the rundown garage. The show focused on Chico and his ying/yang partnership with Ed, but there were lots of other characters filtering in and out of Ed and Chico’s life, including Louie (Scatman Crothers) and Della (Della Reese), plus all the quirky folks who made a pit stop in Ed’s garage. And, of course, hilarity ensued.

Prinze in his first scene in the pilot

I always thought Chico and the Man was created to showcase Freddie’s phenomenal standup act, but Prinze was actually up against four other actors for the part, including Isaac Ruiz who played Mando in several episodes. The final decision came to a meeting with Jack Albertson who was then starring in a stage production of the Sunshine Boys. The show’s creator, James Komack was interested in who Albertson had the most chemistry with. And a legend was born.

There was some controversy from the Mexican American community surrounding the casting of Prinze who was Puerto Rican. Prinze’s mother said in a book she wrote about her son, called The Freddie Prinze Story, that he would receive threats from angry TV viewers. Prinze responded in a 1975 interview with the Palm Beach Post with, “The feelings are the same. Spick means the same thing in New York as it does in Los Angeles. The pain is the same.” He conceded in the same interview, “I don’t think it’s the majority making the fuss. It’s a few radicals.” Eventually, the network bent and wrote in that Chico’s father was Puerto Rican. Regardless of the controversy, Chico and the Man was an instant hit, and Prinze was what they refer to in Hollywood as an overnight success.

Chico shows off his new digs

Many sitcoms of the 70s and 80s were far less sophisticated than what we see now. While people complain about the current state of the half hour comedy, those unaccustomed to the stage-like productions of yesteryear are sure to detest the format. It’s a shame too, because the simple sets and stories were a true showcase for the actors. Everything relied on presence and delivery and the comedy was derived from the actors’ ability to grab your interest. Freddie Prinze was a natural and he hit it right out of the ballpark in the pilot, which aired on September 13th, 1974 on NBC. Ed is introduced as a real cranky old bastard and it’s fun to watch Prinze warm the old coot’s heart. This of course would become the crux of the series, but it’s apparent here why the Man isn’t as keen on letting Chico go as he would like everyone to believe he is.

Chico does his own bargaining with God

The series ran fairly smoothly for three seasons while Prinze was experimenting with drugs and going deeper down the rabbit hole of depression. According to his mother, Prinze was lonely and not meant for the bright lights of Hollywood, but he would reveal to a psychologist shortly before his death about his own childhood sadness and how he began experimenting with drugs at a younger age than his mom talks about. He also confesses to an earlier suicide attempt (here’s a link to the article in People Magazine). Even now, with all I’ve learned about Prinze’s darker side, I find it hard to believe that what I saw on screen was so different from the man himself. By all accounts, Prinze was a good guy and well loved, but he obviously didn’t know how to take that love in, and all of that sadness was completely hidden on the series. Prinze actually taped his last episode just hours before his death. The episode was called Ed Talks to God and it aired on March 4th, 1977, about five weeks after Prinze’s death. This episode is especially poignant because it revolves around Ed’s birthday and many comments are made about how Ed should appreciate getting to the age he has. Prinze looks especially thin and his delivery does seem to be a bit off, but of course this is all in hindsight. Knowing he was so close to the end, makes it especially difficult to watch.

The chemistry between Albertson and Prinze was undeniable

For three magical seasons, Prinze brought the gift of laughter to just about everyone who ever watched an episode of Chico and the Man, and he shocked the country with his death. At Prinze’s funeral, Jack Albertson gave a eulogy which he ended with: “We are bound together, this family, not in a temporary chill of death, but in the everlasting warmth of his humanity and his humor. Let us not mourn his death, rather, let us celebrate his life. In the years to come, in the days and the years, this moment will have passed and we’ll see Freddie again, we will hear him, we will think of our brother and we will smile again and we will laugh again, and we will be warm again.”

The last time the gang appeared together


Six episodes of Chico and the Man are available on DVD at Amazon.



The series tried to continue without Prinze, and 12 year old Gabriel Melgar was brought in as a replacement. While I remember liking Melgar, who played Raul, the show was destined to bomb without Prinze. However, there were many poignant moments on the show, like when Ed busts up Chico's guitar in a fit of anger over his death. The following clips aptly capture the anger and sadness that not only Ed felt regarding the heavy loss of Chico, but also the frustation the fans endured as well. The fact that these scenes still resonate deeply proves the depth of the sense of loss we all shared when Freddie Prinze died.



Monday, June 20, 2011

Freddie Prinze Week!


Freddie Prinze was a television staple for anyone who remembers the 70s. A young, vibrant comedian, Prinze stole many hearts as the lovable Chico in the hit sitcom Chico and the Man. By the time he was 19 years old, he was a bona fide superstar, but he burned too brightly and, sadly, burned out by the time he was 22 when he took his own life. Chico and the Man attempted to survive without him, but of course, no one could replace the undeniable charm and instant likability that Prinze held. I don’t remember when I came to know of Prinze’s death, but I think it happened a little after the fact, when the show was in syndication. I was still in my single digit years and I was fairly unaware of the circumstances. I think my parents just mentioned his death in passing while we were watching an episode. I recently picked up his bio, The Freddie Prinze Story which was written by his mother Maria Pruetzel. This biography skips over many of Prinze’s darker qualities and concentrates on his mother’s memory of her beautiful and fun-loving son who couldn’t take the bright lights of Hollywood. Prinze was apparently a tornado of charisma, stealing hearts well before he became a household name.

Pam Grier’s new biography, Foxy: My Life in Three Acts dedicates two short chapters to Prinze, whom she considers to be one of the great loves of her life. She tells a different, slightly darker story and she paints a fuller picture of what Freddie was like when his mother wasn’t around. He was fun and a bit controlling and in the end, Grier walked away from him because of drugs and because she wanted to focus on her career.


I remember watching the TV movie docudrama about his life, Can You Hear the Laughter and I may have actually seen the original airing. But I had not seen his only TV movie, Million Dollar Ripoff, nor had I seen much of his work on Carson or at the Dean Martin Roasts - he was always Chico to me. After reading Prinze’s bio, I felt like his life and work was worth re-discovering and I thought since his birthday would have been on June 22nd, I’d dedicate the week to him. So here we are at Freddie Prinze week, where I will look at Ripoff, Laughter and Chico and the Man. It’s astonishing to think about all the years that have passed since his untimely death in 1977, yet watching him now, he still remains a vivacious presence. I still laugh at his Hungarican jokes and I came across this rare clip taken from The Dinah Shore Show where it looks like Prinze was either the co-host or a guest-host on August 27th, 1976. You will see Cindy Williams and Geraldo Rivera along with Florence Henderson sitting on the couch as Prinze introduces comedian George Miller. The majority of the clip is of the comic, but check out Prinze who bookends it. He lights up the screen. And he will never be forgotten.