Showing posts with label syndication. Show all posts
Showing posts with label syndication. Show all posts

Monday, January 7, 2013

A Chain of Passion Part 1: Romance Theatre


I started to write an article about Romance Theatre and found that I kept adding and adding information until I finally had written about RT, Harlequin adaptations and the Shades of Love series. I decided to break my article up into two smaller bite sized pieces, with some recommendations at the end of each post. Enjoy!

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It was the early 80s and everything was pastel-ish and perfect. Soft wavy hair fell down the slim, brown shoulders of young, nubile actresses as they kissed their leading men, who were often rippling muscles underneath tanned flesh. It was a great time for love, wasn’t it?

Well, on TV for sure.

In my real life, I was about 10 and obsessed with the Hello Kitty stickers that I collected from Rainbow Station. It was the only thing that I wanted to be near when I was that age. But I became an adult and quickly realized that I had grown up too late. I missed those ruggedly handsome men of yesteryear. My only recourse was to seek out made for TV romances. OK, maybe that wasn’t my only option, but short of building a time machine, I felt limited.



For whatever reason, I have never been particularly impressed with theatrical love stories, yet, I find the small screen romance offerings beckoning me. Honestly, I’m not sure what the difference is, but that’s how the world revolves for me. Maybe it's those addictive Danielle Steel adaptations where cupid first struck me with his bow and arrow (thank you, Lifetime). Who knows? All I can say now is that I love, love, love TV love.

When I was a kid, I remembered a syndicated series that featured week-long novella-type stories. I watched a couple of them over summer break and then quickly forgot about them. Flash forward to 2005 and I’m in a video store in the middle of nowhere. They are blowing out their vhs collection and I stumble across something called Isle of Secret Passion. Hey, for $4.95 I figured I couldn’t lose. When I searched for it on IMDb, I came up with nuthin’ and began to feel like I had a very rare item in my possession. The three actors listed, Patch MacKenzie, Michael MacRae and Zorah Lampert were all known to me because of their work in horror movies (Graduation Day, Madhouse and Let’s Scare Jessica to Death respectively). I was excited. I popped it on and instantly, Louis Jordan and his beautiful accent flooded my airwaves. He spoke only of love, and I listened. And I remembered the Romance Theatre from my youth. It was a wonderful moment. I was reborn. OK, maybe not reborn, but the whole thing was awesome, trust me.

Photo from David Hedison's website

As luck would have it, the vhs box had a list of titles for other Romance Theatre episodes, and my journey began. When the series originally appeared on the home video market, it caused a couple of modest waves. The show might have been edited down to fit into an approximate 100 minute running time, but with ads, the 5-episode anthologies probably ran that exact length. However, I believe Jourdan was definitely edited down because I have a memory that he appeared in every episode, but he’s only featured at the beginning of the tape here. This is disappointing because I could hear him speak of nothing but love all day! Swoon, right? Right. 

These newly converted episodes were shot on video romance movies that captured the essence of love in the afternoon. They were melodramatic and slightly over the top, and boy were they focused on love! There were no side conversations about Reganomics or the housing market or anything. They were wonderful.

The movies often featured early performances from actresses who were just around the corner from success. Case in point, The Awakening of Cassie starred an adorable P.J. Soles, and Bayou Romance featured a super cute Annie Potts! Oh, and hey, is that Deborah Forman I see in Love in the Present Tense? Yup.


In an interview about Romance Theatre, Louis Jourdan commented, “Here we see glamorous men and women caught in seemingly hopeless romantic situations. The characters are often slaves to their passions, saying and doing foolish things. This is not high tragedy or great art -- none of these tapes has any redeeming social value. What they do offer is fun and entertainment -- and the suggestion that they are probably closer to real life than most of us would care to admit. How many times have you said of your own love life, ‘I can’t believe this; it’s just like a soap opera?’”

Ummm, Jourdan rocks!

This is Jourdan rocking (oh, and speaking only of love)

Prism Entertainment released the movies and they were considered the wild card of the new home video industry. A 1986 article about the new VHS business model reported that the series originally released six titles and sold over 100,000 copies! Six more titles followed afterwards.

Life was good in 1986, that’s all I’m going to say here.

Courtesy of Vintage Toledo TV

If you think you are in the mood for love and own a decent VCR, may I recommend the following for your rainy Sunday afternoon pleasure?
 
Love at the Top: This entry in the Romance Theatre collection is somewhat interesting because, unlike Bayou Romance, Love in the Present Tense and a few others, it does not feature an actress who went to become famous. However the wonderful Janice Page is featured as the owner of a lingerie business who needs a smart woman to help get her line cracking. Glynnis Kidwell (such a romance novel name!) must decide between business and pleasure when she becomes friendly with Kyle Durant, who is up for the same position as her. Get it? Position… I have to admit, Kyle may start off unlikable, but I was rooting for him by the end of the film. He’s totally hot too. The lead actress is only OK, but overall, I think this Romance Theater episode is a lot of fun.

Honorable Mention:

Lights, Camera, Action, Love: OK, this one also does not feature a leading lady who went on to stardom, but it hits all the right romance notes, and the casting of the gorgeous Gary Hudson as one of sexy suitors left me sighing all the way to the end.

Tuesday, January 5, 2010

Mom, The Wolfman & Me (1980)



Network: Syndicated
Original Air Date: October 20th, 1980

As someone who is becoming a less closeted romance addict (especially from the made for TV genre), I have really been enjoying rediscovering the pre-Lifetime love stories that used to entertain me endlessly as a kid. One that I remembered clearly was Mom, the Wolfman and Me, starring Patty Duke, David Birney and Danielle Brisebois. As a kid it seemed like a film about fun-loving single mother and her surprisingly mature 11 year old daughter as they take on New York City, and find a man to boot! Now, some 29 years later (seriously, has it been that long?!?), it’s a little more complicated, and Patty does not come across as fun loving as I had remembered.

And this ain't even after a bender...

Ah, Patty Duke. It’s a name synonymous with awesome. Patty made several television movies in her heyday and many of them were in the thriller/horror genre. Yet, even though my love of small screen horror knows no boundaries, she didn’t really light my fire in any of them (OK, so there’s a boundary). However, her work in dramas and this little romantical comedy stole my heart. Patty was especially engaging as Deborah Bergman in Mom, the Wolfman & Me, where she plays an ultra-modern single mother who has the enviable job as a NY advertisement photographer. Her spunky daughter Jenny is played by Danielle Brisebois (Archie Bunker’s Place). Jenny is really the adult here – wrangling her mom’s work schedule, feeding herself and even getting her workaholic mother out of bed. Deborah’s parents are split on why their free spirit daughter feels the need to be…uh, so free… Oddly, it’s her respected psychiatrist father (Keenan Wynn) who defends Deborah against her ex-dancer mother (i.e. former free spirit played by Viveca Lindfors). They really want Deborah to consider finding a man – even though she’s got one in the form of Wally (Jon Lithgow), but his name is Wally so that can’t possibly work. Then she meets Theo, aka The Wolfman (David Birney), named so for his dog. Oh, and Theo is hairy too. I mean, he’s basically a bearded machismo machine, but I digress…

The Wolfman is one pretty laid back dude and totally gets Deborah’s art (she is putting a photo book together on the elderly, which is so early 80s. Who’d buy that now?!? So sad…), but he’s also in the need of stability and he wants Deborah to settle into domestic bliss, but Deborah never settles, dig, and trials and tribulations ensue…

Bearded Machismo in action. Feel free to swoon.


I first saw this movie when I was about ten – roughly Danielle’s age – and at the time the way Deborah and Jenny lived seemed pretty dang cool. Peanut butter and celery for dinner? YAY! Now, too many years later, I’m wondering what Deborah was thinking. Getting up at noon, leaving her daughter on her own during Father’s Visit Day at school and in general, just living in semi-controlled chaos. Mom, the Wolfman & Me writes Deborah extremely well. She’s a loving, capable mom, incapable of taking full responsibility. But she’s there and she’s doing a decent job. She also allows her parents to have that extra added positive influence, even when they don’t see eye to eye. Of course, I’d see eye to eye with Keenan Wynn on just about anything.

“You say the world is made of cheese, Mr. Wynn? You got it!”

I mean, he never actually said that… but if he did… I’m just sayin’…

Note to self: Keenan Wynn never actually said the world was made of cheese.

Theo is, like, the hottest professor ever and is quietly sexy and strong, in a very unobtrusive way. It’s almost like no one told Birney to be sexy… he just is, and it shows. He was equally as likable in the awesome TVM thriller Someone’s Watching Me, proving small screen machismo is nothing to sneeze at.

This beautiful looking, slick romance was actually produced for syndication by Operation Prime Time, who normally released epic period pieces during this era (they also produced the sudsy mini-series Condominium). OPT made several outstanding films (Sadat, anyone?) but they were so grand in scale, I’m curious as to why they chose this modest little love story to add to their oeuvre. They drew the right card because Mom, The Wolfman and Me might not be Romeo and Juliet but it is touching, thoughtful and smart. And looking back at OPT’s list of movies, this is the one that I always remembered… and loved. Plus, Keenan Wynn… I mean, he’s awesome!