Sunday, April 25, 2010

This House Possessed (1981): The Images



This House Possessed is without a doubt, my all time favorite made for television movie ever. EVER. Yet, I have not written about it on my blog. I've reviewed it elsewhere (read my reviews here and here), watched it a gazillion times and have told anyone in ear distance just how much I love this uber-atmospheric and utterly ambiguous horror film. And it's not just because Parker Stevenson is the hottest thing since Jermaine Stewart made me realize that I didn't have to take my clothes off to have a good time (oh no). It's simply because this is one damn good movie. As a kid, I was forever haunted by Tanya's blood shower and completely entranced by Sheila's yellow wardrobe. House taught me that in a world of creepy haunted houses you could still find love with a gorgeous pop star. House made me who I am today (take it as you will). This Amanda Obsessed! Whoops, I mean Possessed!

One of the things I adore about House is that you never know exactly why the house does what it does. You know it watches Gary before he moves in, but you're never quite sure how he got him to the house, nor do you know why it chose Gary. I mean, why did it want the sexy rock singer to fall in love with Sheila (and vice versa) when the house itself was in love with her? And why did it attack Gary less viciously when he did Sheila wrong? I don't know. And in some ways I'm glad I don't. House is a movie that has more questions than answers. It's a freaking riddle wrapped up in an enigma (how I have always wanted to say that!) and if you're open to these kinds of films, House will leave you considering every option. It's the movie that keeps on giving!

And it will leave you wanting to say "Don't get so frosted!" Trust me, it will! But for now, I'll leave you with an image gallery (most of these were used for one of my reviews on another site) for the best undiscovered movie going!

This House Possessed Image Gallery:





















Thursday, April 22, 2010

The Night That Panicked America (1975)




Network: ABC
Original Air Date: October 31st, 1975


Picture it – Halloween, 1938. Aliens have descended upon America and one radio network is broadcasting the play by play. As the story unfolds, a panic sets about the listeners. Some head towards Grover’s Mill, New Jersey where the chaos started. Others decide to flee the area and literally head for the hills. The country is in utter terror, who knows how they will react.

And the whole thing was a hoax.

This, my friends, is how you make great radio

By now, the legends regarding Orson Well’s brilliant rendering of the War of the Worlds are infamous. From stories of people running through the streets to the guys who shot a water tower thinking it was a spaceship, this night has come to signify not only how wonderful this HG Wells’ adaptation was, but also how powerful the media can be. The Night that Panicked America is a recreation of that wicked night that left America reeling.

Night is separated into sections. The first deals with the actual broadcast and features a behind the scenes look at Welles (Paul Shenar) and his cohorts creating the most suspenseful night of radio. From this standpoint, things look fiendishly clever (like creating the sound of a spaceship door opening by using the reverberation of the unscrewing of a jar inside a toilet!) but completely mundane, as actors in a bare room read from a script. The second section of the film deals with various listeners who are swept away in the realistic broadcast. Each one is facing an everyday problem, like a marriage breaking up or a young man wanting to go to war to defend his country while his father attempts to talk him out of it. This is where the movie creates some intense suspense scenes. With everyone facing uncertain doom, it’s anyone’s guess as to how each will act in response to the situation.

Wow! They made Orson Wells hawt!

Night is rife with familiar television faces who all do a wonderful job. Tom Bosley is the befuddled producer who first catches wind of the ensuing chaos, John Ritter is the young man desperate to defend his country against Hitler, Paul Shenar is the great Orson Welles, the director with a thunderous voice and an ingenious way of crafting a story, Will Geer is the reverend faced with the idea that his god does not exist and Vic Morrow and Eileen Brennan are the couple who will do anything to keep their kids away from the Martians. And I do mean anything! And I haven’t even gotten to Meredith Baxter, Granville Van Dusen or Casey Kasem!

Nicholas Meyer, who would go on to direct Star Trek II and VI wrote this excellent script, capturing both the inside and outside of a momentous occasion in our history. Joseph Sargent, who is such a stalwart in the world of television movies (Longstreet, Hustling), puts together a taut, gripping tale that encases so many stories, and the duo bring each one to a satisfying conclusion. The standout story belongs to Morrow and Brennan. I was literally covering my eyes I was so scared! That’s good filmmaking! Fans of The Mist will also catch the tribute it made to Night.

Even rich people got scared! Whoa!

As I watch the movie now and as I’m sure it was intended when it was made in 1975, Night is more than a retelling of a wondrous night in pop culture history. The film is bookmarked with the echoing, fanatical voice of Hitler, reminding the viewer that 1938 wasn’t just the year radio proved it worth as a medium. It is also reiterates the fact that we were living in the looming fear of World War II. It is suggested by this bookmark that perhaps we reacted the way we did simply because we’d been living on the edge of uncertainty and we were worn thin. Night’s ability to craft such tension with the characters is just one reason to see it. It’s also a staunch reminder of our dark history with war and what it does the human psyche, even to those of us not fighting on the battlefield.

Read More about The Night that Panicked America here:

feuilleton (John Colthart's blog)

Inner Toob

War of the Worlds: Invasion - A Historical Perspective


Sunday, April 18, 2010

Mark of the Devil (1984)




Network: ITV
Original Air Date: September 5th, 1984

When I popped Mark of the Devil into my DVD player the other day I had no idea what I was getting into. My copy is called Fox Mystery Theater: Mark of the Devil, so I imagined it was a made for TV homage to the gooey cult classic of the same name starring Udo Kier. What I got was actually an episode of Hammer’s House of Mystery and Suspense, the last bastion of horror hounds' favorite British movie studio (the series was co-produced by 20th Century Fox, hence the Americanized moniker). There are thirteen episodes in this short lived UK series and Mark of the Devil ended up being my initiation into the show. I was then knocked over again when I saw it starred Dirk Benedict (the hottest Battlestar Galactica), was directed by Val Guest (Quatermass Xperiment, Toomorrow) and written by Brian Clemens, who penned every episode of the awesome 70s Brit classic Thriller. Wow, that’s kind of everything I ever wanted in a movie. But did I set my sights too far? Don’t you love suspense?


Dirk squared

Dirk Benedict is Frank Rowlett, a lowlife gambler who woos a rich and beautiful girl (Jenny Seagrove). He’s preparing to marry her and enter the world of the wealthy elite, but his gambling addiction keeps bringing him back to the underground casinos. Through some bad decision making, he ends up at a tattoo parlor trying to snake some dough and ends up killing the owner… but not before he’s stabbed once with a tattoo needle. Unfortunately, this tattoo artist is also a big voodoo freak and his needle essentially possesses Frank’s skin. At first it’s just a puncture wound, but the lesion soon becomes a tattoo that grows like wildfire across Frank’s body. This leads to even more poor choices as Frank desperately tries everything he can to rid himself of the curse (except turning himself in, of course).

Mark of the Devil is odd. I can’t imagine anyone in the US would ever have the cajones to produce such an obtuse movie. It’s simple, but wild in its ideas. Leave it up to Clemens to find a way to make it feel believable. Frank is definitely a loser, but his comeuppance feels a little unwarranted (or at least slightly over the top!), so there’s some feeling of sympathy for him. And of course, I’ve always found Dirk to be one of those great looking actors who actually possessed talent. I was so blown away by him in Sssssss and think he never really gets the notice he deserves (although he might now that he's playing Columbo!). He’s great here and the movie as a whole is a lot of crazy fun.


Yikes!

For those of you unfamiliar with the director, Val Guest, please try to find a copy of his movie Toomorrow, which got a small theatrical release in 1970, but has not seen the light of day since, except for a few revival screenings. It’s about rock band (led by Olivia Newton John) who are so good, aliens abduct them so they can save their species. No. Joke. And it’s incredible. I had the honor of seeing Guest speak and then later I got a chance to talk to him briefly on the phone. He was one incredible man, totally vital into his 90s. He died in 2006 at the age of 95. He’s another under the radar guy, and is well worth discovering. This episode of Hammer’s House of Mystery of Suspense is a great introduction.


Still smoking hot. How do you do it, Dirk?


Friday, April 16, 2010

Dirk Benedict as... Columbo?!?


It’s true. Benedict, a much loved television star (and a lot of that love comes from me!), is hitting the stages of England as my beloved Columbo in Prescription: Murder, which was originally a one-off TV movie from 1968 (the series began running in 1971). Benedict is performing at the Middle Ground Theatre Company. I came across one review and they loved him in the part. I have to admit, I was taken aback by the casting, but Dirk is an actor who has for too long been underrated. As we all know, Peter Falk owned the role but I can totally see Dirk who is always terrific fun, bringing something new to Columbo’s ratty trench coat. If you are lucky enough to have a chance to catch Prescription: Murder please don’t pass it up! And report back here! I will live vicariously through you!












Just For Fun: here’s a few words from Columbo’s creators, Richard Levinson and William Link regarding the creation of one of my all time favorite characters. And here's a link to a short post I did on the first actor to play Columbo.

Also, keep an eye out for a review of a Dirk Benedict movie I just watched earlier this week. He’s always wonderful, looks oh-so-gorgeous (he just turned 65!!!) and is just a treat!

This is Dirk without the trench coat. Me-ow!

Wednesday, April 14, 2010

A Case of Rape (1974)




Network: NBC
Original Air Date: February 20th, 1974

As much as I love my TV movies for all its Nehru awesomeness, it would be remiss of me to not add that in many ways it was a tough go. Movies like A Gun in the House (1981) and A Case of Rape aptly captures the fear all women carry with them. It's easy to forget in these days and times, with more victim friendly rights and less stigmas attached to them, that a woman could possibly be accused of being the instigator in a rape. But people have carried that notion with them for centuries. I mean, she must have enticed him, right? She’s pretty and she had a drink at a bar… You know the drill. A Case of Rape throws all of those ignorant concepts in the viewer’s face and shows what a farce the court system can truly be.

Elizabeth Montgomery is Ellen Harrod, a ridiculously happy woman with an incredible husband (Ronny Cox as David) and a small girl. David is a traveling salesman and Ellen whittles away the lonely hours with such things as art classes and PTA. After class she and her friend Marge (Patricia Smith) meet a young man named Larry (Cliff Potts) who offers them a ride home. Larry asks to use Ellen’s phone and proceeds to brutalize and rape her (all thankfully done off screen). Ellen is embarrassed and decides to just live with the secret, but just a few days later, Larry returns and rapes her again (this time in front of a neighbor!). After a harrowing day at the hospital and with the police, all of whom refer to her as the “Rape Case” instead of using her name, the real crime begins. Ellen’s life is slowly ripped apart as she’s constantly held up to scrutiny and judgment. At one point, Marge even suggests that being raped must be an exciting sexual adventure. That to me was the defining moment of this film.


Her one bright light is Leonard Alexander (William Daniels), a lawyer who actually understands the true horror of Ellen’s situation. At the same time, he’s no knight in shining armor, essentially leaving Ellen alone.

With so many television movies dealing with crimes against woman (Lifetime, I’m looking at you), it’s easy to see something like A Case of Rape as pure television for women fodder, but at the time it broke boundaries we now no longer have to endure. With a few exceptions, it seems the whole world is against Ellen, or at least they simply don’t understand and don’t want to. Every action she ever took with a man is held under a microscope (including accepting a car ride home from her neighbor) and twisted to look like Ellen is just some random trampy housewife enjoying the swinging 70s. Elizabeth Montgomery is amazing here. She is completely dignified but at the same time broken into a million pieces. Ronny Cox is wonderful as her ineffective hubby who only wants to see things go back to normal, but can they ever?


I don’t know why I chose this film to watch. I mean, just looking at the title you can see this isn’t going to be a jump into escapism, but I’m glad I did see it. It’s important to remember how far we’ve come, and what happened to those before us who were horribly affected by a group of small minded lawmakers.

Both director Boris Sagal and Liz were nominated for Emmies. Liz lost out to Cicely Tyson for her role in The Autobiography of Miss Jane Pittman. Liz was nominated nine times for an Emmy and didn't win a single one. It's a damn shame too. She put in so many amazing performances on television. At least give the lady a lifetime achievement award, please!


Tuesday, April 13, 2010

Peter Haskell 1934 - 2010



I think I first came to know Peter Haskell through the creepy made for TV movie Phantom of Hollywood, but it was his starring role in The Eyes of Charles Sand that struck a cord with me. Peter was perfectly cast as the befuddled bachelor (with a killer pad) who inherited some nifty and scary psychic powers. It’s one of those TV movies (also a pilot that never made it to series) that made me love TV movies. Bare bones, but thick with atmosphere, I fell in love with not only the movie but I also found myself smitten by Peter. He’s exactly the kind of actor I gravitate towards, with his under the radar persona.

Yes, that's Peter on the A-Team with Murdock and Rick James!!!


Peter died unexpectedly yesterday. I didn’t know him personally, but I got a chance to actually correspond with this wonderful actor via Facebook. Here’s a snippet of what he shared regarding appearing in the made for TV movie Love Hate Love:

Fun show to do. I knew Ryan [O'Neal] really well, Lee Majors and I used to hang with him. My dad died while we shooting the picture and Ryan and Leslie [Ann Warren] were hugely supportive. The director, George McCowan, had the entire company referring to us as the Star, the Girl and the Actor by the end of the first week. If the scene was between Leslie and me, the call would go out for "the Girl and the Actor are needed on the set."

Peter’s work in the made for television genre is something to behold. Here’s a list of the films he did in the 70s:

The Ballad of Andy Crocker (1969)
Love Hate Love (1971)
The Eyes of Charles Sand (1972)
The Hallmark Hall of Fame: The Man Who Came to Dinner (1972)
The Phantom of Hollywood (1974)
The Wide World of Mystery: The Cloning of Clifford Swimmer (1974)
The Wide World of Mystery: The Suicide Club (1975)
Risko (1976)
Rich Man, Poor Man – Book II (1976)
The Night They Took Miss Beautiful (1977)
Superdome (1978)
The Jordan Chance (1978)
Mandrake (1979)
The Cracker Factory (1979)
The Fantastic Seven (1979)

Peter and Adam West in the Eyes of Charles Sand


In the 80s and beyond, he mostly worked in episodic television and I think that suited him fine. I loved seeing him now and again on all my favorite shows, such as Fantasy Island, Frasier, Hart to Hart and well, the list is endless.

Here’s a review I wrote for a Lifetime movie he made called Sex & Lies in Sin City. It was one of his last appearances on television. He had a small but interesting part in this true crime story.

Very few of us get a chance to actually meet/correspond with the actors we admire, but Peter was up to the task of making his fans feel very welcome into his life, if only through the internet. I will forever be grateful for those few moments he took to share a couple of memories with a goofy television nut. Peter, my heart goes out to your family and friends right now. I know they lost a one of a kind man, the likes of which I am sure we are not to see again. And thank you for your time and for just being incredible.


A Peter Haskell Image Gallery




























Sunday, April 11, 2010

Dixie Carter: 1939 - 2010



Julia Sugerbaker: Hello? Mr. Trump? I hope I'm not disturbing you. I'm just calling you to say — on behalf of the American public — Mr. Trump, we no longer care who you date, we really don't. You are no longer obligated to alert the news media everytime your pants are on fire because we don't care. So please feel free to fire all your hacks, flacks and publicists employed for this purpose because — and I repeat — we...don't...care! Who am I? Well, you've never met me, but you can just call me....The Julia.

Dixie in Dazzle being, well, dazzling

The other great 80s sitcom about intelligent, active, dignified women, Designing Woman, lost their main voice yesterday when Dixie Carter passed away at the age of 70. Dixie did a lot of television and I first came to know her as Mr. Drummond’s hottie wife on Diff’rent Strokes. A lot of times when shows add characters it feels like a desperate attempt to recapture the golden age of the series. However, Dixie brought a little style and grace and the entertainment value remained what I had expected from my favorite show about a rich white guy and his black adopted kids. OK, Webster was my favorite show, but you get the point. However, it was her role in Designing Women as Julia Sugerbaker, the poised Southern Belle and leader of a quartet of gorgeous and outrageous co-workers that made her mark. She was brash, outspoken, sometimes frustrating but never boring and America ate her up like apple pie.

Gone in the Night

Julia Sugerbaker: It makes me wonder if we all were crazy before, or just went insane after arriving here.

Dixie was also an established stage actress and had recently been nominated for her guest starring role in Desperate Housewives (clever casting there!), but she also made some great made for television movies. In fact, she met her husband of 26 years, Hal Holbrook when they made The Killing of Randy Webster in 1981. It was apparent TV movies agreed with Ms. Carter and she went on to star in a few more noteworthy films, including Judith Krantz’s Dazzle (1995) and Gone in the Night (1996).

Dixie even made a workout video! Jane Fonda eat your heart out!

I have to admit I was shocked when I heard about Dixie’s passing. I don’t know why, but I thought the most vocal Sugarbaker would always be here, telling the world just exactly what it can do with itself. I’m also sad because as a fan of 80s film and television I had always held her marriage to Holbrook in high regard. Their love felt real to me and my heart broke for him today.

Here is a quote from Julia that I find sadly appropriate:

But then again, I suppose in my heart I always knew that someday we would end up like this. I mean, well, it's kind of fitting isn't it? Here we are going down the highway into the dark Georgia night. Four aging Southern belles-war-torn hair, dirty faces-a nanny, a baby, and a crippled black man.

Dixie, I will miss you.





Saturday, April 10, 2010

Must See Streaming Movie of the Week: Plain Truth (2004)



I had intended to save this movie for my Lifetime Kills column (which I just don't update enough), since I just saw it and was frankly blown away. Then I saw Plain Truth was streaming on Hulu, so I thought, what the heck, right?



Let's put the cards on the table, I have seen a lot of Lifetime movies in my day and so you know it's no understatement when I say Plain Truth is the best movie ever produced for Lifetime. No. Joke. Mariska Hargitay plays a soulless lawyer who gets attached to the case of her life when she takes on defending a teenage Amish girl who is accused of killing her newborn baby. To make things even stranger, this girl swears she's never had sex. Mmmm-hmmm.

It's twists and turns aplenty here, and while some of it is by the book, Plain Truth is a supremely solid mystery that keeps you guessing. If you take this one on, makes sure you watch it until the end, because the final few moments are jaw-dropping. It's a modern movie that uses a classic formula to build suspense and create a wonderful mystery, just like they did in them olden days.

Maybe I'll do this film some justice with a review for my column... one day...






Thursday, April 8, 2010

Dying Room Only is on DVD!



Now that's exciting news! One of the best suspense thrillers of the small screen finally sees the light of day!

Read my review here and please go buy the movie at the online Warner Archive store.

Saturday, April 3, 2010

John Forsythe 1918 -2010



As I drove through Denver, Colorado yesterday my mind kept wandering to Dynasty, Blake Carrington, his ginormous house and his soap legacy. I didn't know at the time that the actor who made Blake the incredible character he was, John Forsythe, had passed away the day before at the grand age of 92. It was the loss of another great icon, and although I am sad, I am also so grateful Forsythe was around all those years, at just the right time, making the kind of television that this blog is dedicated to.

Forsythe and his other angels

Whether it was his portrayal as Blake Carrington or as the voice of the mysterious Charlie on Charlie's Angels, Forsythe was dedicated to making great television. Over the top, jiggly and salacious, he was there commanding the whole show.

Forsythe also made some wonderful made for TV movies. You can read my reviews of Cry Panic (1974), Terror on the 40th Floor (1974) and Cruise into Terror (1978). I have a couple of his other movies, so maybe a retrospective needs to be done in the near future... Actually, I'd like to do one for Forsythe, Graves and Culp, and I do hope this is the last big loss we have this year.

Forsythe gets his world rocked in Cry Panic